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Themedievalartistsdidntknowaboutperspective; theydidntwanttomaketheirpeoplelooklikereal, individualpeopleinareal, individualscene. Theywantedtoshowthetruth, theeternalqualityoftheirreligiousstories. Sotheseartistsdidntneedtoknowaboutperspective.
IntheEuropeanRenaissanceperiod, artistswantedtoshowtheimportanceoftheindividualpersonandhisorherpossessionsandsurroundings. Aflatmedievalstylecouldntshowthislevelofrealityandtheartistsneededanewtechnique. ItwastheItalianartistBrunelleschiwhodiscoveredthetechniqueofperspectivedrawing. AtfirsttheartistsoftheRenaissanceonlyhadsingle-pointperspective. Latertheyrealizedthattheycouldhavetwo-pointedperspectiveandstilllatermulti-pointperspective.
Withtwo-pointperspectivetheycouldturnanobject (likeabuilding) atanangletothepictureanddrawtwosidesofit. Thetechniqueofperspectivewhichseemssonaturaltousnowisaninventedtechnique, apartofthegrammarofpainting. Likeallbitsofgrammarthereareexceptionsaboutperspective. Forexample, onlyverticalandhorizontalsurfacesseemtomeetoneyelevel. Slopingrooftopsdontmeetoneyelevel.
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